

Transforming the Cape (Part 2 of 2)
“Both Robert and I are humbled that we have had a part to play in transforming Cape Kidnappers. It’s been a win-win for everyone including quality tourism in Hawke’s Bay”, says Charlotte Fisher.
Keith Newman


Transforming the Cape (Part 1 of 2)
“It was a long and narrow property and difficult to farm. The best grazing country is at the Cape end; the roughest at the Te Awanga-Clifton end. It ... required hard work to make it viable ... you couldn’t just live on the view.”
Keith Newman


Neil Burden’s legacy - Caring for the Cape (Part 2 of 2)
Next generation takes over at Burdens Camp and gannets business; bulldozers replace pick axes to clear the Cape, a love of classic...
Keith Newman


Neil Burden’s legacy - Caring for the Cape (Part 1 of 2)
Neil Burden has been committed to the health and safety of locals and the local environment for decades, and still at 86-years retains...
Keith Newman


Haddington Estate: Heritage of highland hills
From the highlands of Scotland to the plains of Te Awanga, New Zealand - the story of the Haddington Estate
Keith Newman


Whaling era bones recovered
Dozens of whale bones discovered at Rangaika on the southern side of Cape Kidnappers (Te Matau-a-Maui) in the mid-1980s
Keith Newman


Bobbing boat trailers at Clifton
“There were plenty of chipped hulls, dunged props and even rudders, occasional injuries and a whole lot of wet bums. There had to be a...
Keith Newman


Marina, theme park opposed
Proposals to turn the Cape Coast into a tourist Mecca; redesigning Te Awanga around a diverted Maraetotara river and a gannet theme park...
Keith Newman


Coop Family Centenary - The Tuki Tuki Station story (Part Two)
In April 2021 the Coop family celebrate 100-years and four generations of farming on Tuki Tuki Station which backs on to Shaw’s Tiromoana...
Keith Newman


Foothills to the River - The Tuki Tuki Station story (Part One)
The Tuki Tuki property and rebuilt classic colonial homestead looking out over the Kaweka ranges, adjoining Craggy Range and the Williams’ L
Keith Newman


























